review by thomas

Yes were at their best when ”Close to the Edge” was recorded and it really shows, especially in the sidelong title track. All the best elements of each member and as a band came together for this song to form one of the best Yes compositions. The song is divided into four parts but flowing as one without any flaws. All members play with passion and power, with new and old sounds, experimentation within limits (such as Howe’s wonderful mandolin) and with high technical dexterity. I have absolutely no complains regarding this one.

Side B consists of two 10-minutes songs: ‘”And You, And I” and “Siberian Khatru”. Both showing very high standard, the former more acoustic in nature and the latter more electric with a guitar melody that you don’t forget so easily; you will probably go around and sing it for a long time afterwards. With the high standard sound of the album it’s a pleasure to listen to it over and over again. This is Yes in their prime and essential symphonic rock; too bad that “Tales From the Topographic Oceans”, their next album, was such a flop. The only thing one can hold against Yes is that you can sometimes miss the outbreaks of insanity, that is wild, energetic, dissonant playing; nothing common in Yes’ music. This “problem” is however easily solved; just put on Van der Graaf Generator, Giro Strano or something similar if you at times find Yes too light. In conclusion: “Close to the Edge” is Yes at their best. Get it.